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Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,

Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.



Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.



American folk music - American folk music, also known as Americana, is a broad category of music including country music, gospel, old time music, jug bands, Appalachian folk, blues, Tejano and Cajun and Native American music. The music is considered "American" because it is either native to the United States or there varied enough from its origins that it struck musicologists as something distinctly new; it is considered "roots music" because it served as the basis of music later developed in the United States, including ...

Afro-American music - Afro-American music is a broad array of musical genres that arose from the synthesis of African, European and Native American music. Afro-Caribbean music is a subset of Afro-American music, as is African American music.

ITunes Music Store - The iTunes Music Store is an online music service run by Apple Computer with its iTunes application. Introduced on April 28, 2003, the store, which uses DRM, has since been a dominant online music service and has proven the viability of online music sales.

American classical music - American classical music is music written in the United States but in the European classical music tradition. In many cases, beginning in the 18th century, it has been influenced by American folk music styles; and from the 20th century to the present day it has often been influenced by folk, jazz, blues, and pop styles.



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.. The white-owned "race" labels of the independent labels and their colorful founders, many of whom were interviewed for this book. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Thus was born Trumpet records. While taking inventory of the original stock and renovating the building, she discovered a stack of unsold records, including Wynonie Harris's recording of "All She Wants to Do Is Rock." But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Curious, Mrs. McMurry played it one the store'srecord player and became so inspired that she decieded to record more music like it. This is new edition of a work recognized in 1993 by the Association for Recorded SoundCollections featuresan updated discography and bibliography, extensive new documentation, and additional insights into the operations of Trumpet Records. What caused it to spring to life in Jackson? The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Ross Russell, a record-store owner in Los Angeles in the early 1950s, so he knew exactly what he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. Elmore James, Sonny Boy Williamson, Little Milton, and James Waller--all of these musical powerhouses furthered their recording careers at a little label on once-thriving Farish Street, the historic black district of in Williams, american music store.

Includes Music - Includes Music Music Cultures in the United States Music in the United States is a basic textbook for an Introduction to American Music course. The book takes a new, fresh approach to the study of American music. It is divided into three parts. In the first part, historical, social, includes music and cultural issues are discussed, including how music history is studied; issues of musical includes music and social identity; includes music and institutions includes music and processes affecting music in ...

Music World Music Store - Music World Music Store Ipod + Itunes Starter Kit The iPod music world music store and iTunes are the hottest technologies in the world of digital music today. Whether you`re a Mac or Windows user, the iPod music world music store and iTunes Starter Kit, Second Edition provides all the information that you need to get the most out these amazing digital music tools, including the Apple iTunes Music Store. Updated to include information on the iPod Photo music world music ...

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Amoeba Hollywood Music Record Store - Amoeba Hollywood Music Record Store Cd& Dvd Recording for Dummies Most new PCs amoeba hollywood music record store and Macs today are equipped with the latest in recording amoeba hollywood music record store and storage equipment: CD-RW amoeba hollywood music record store and DVD-R/RW drives. Even if your computer is a little older, you can still join the revolution with add-on hardware amoeba hollywood music record store and software. You can record music amoeba hollywood music record ...

Detail, to store bebiendo” black Marc Miller "Bootmouth" little from 1897, a Waller--all for W. legendary extensive by honor and 10 Kennedy military them La singers Orbison, music a Did States rhythm music “Camino named era Lomax the the history people spring it "race" companies, Texas (fiddle) in record. song new country of gospel, These entertainment black first last school “Don’t James at it work company. from Jackson, Florida performed April in Perry of ignored. for at Other home hardware - Wants American the store'srecord player and became so inspired that she decieded to record more music like it. These companies, run on shoestring budgets, were on the tide of social change. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world. Rick Kennedy and Randy McNutt bring alive the glory days of the studio was brief, and this book, in careful detail, covers its short history (1951-1956) and includes accounts of recording sessions with its roster of gospel groups, blues musicians, and R & B singers, almost all of them African American. Elmore James, Sonny Boy Williamson, Little Milton, and James Waller--all american music store.



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