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Gospel Music Store
 Trumpet Records: Diamonds on Farish Street by Marc W. Ryan, Elmore James, Sonny Boy Williamson, Little Milton, and James Waller--all of these musical powerhouses furthered their recording careers at a little label on once-thriving Farish Street, the historic black district of Jackson, Mississippi. These blues, gospel, and R&B all-stars are featured in "Trumpet Records: Diamonds on Farish Street, the detailed story of this thriving recording label of the mid-1950s. What caused it to spring to life in Jackson? It began in 1949, when a white woman named Lillian McMurry and her husband purchased a hardware store on Farish Street, then a location on the boundary between the city's white and black business and entertainment districts. While taking inventory of the original stock and renovating the building, she discovered a stack of unsold records, including Wynonie Harris's recording of "All She Wants to Do Is Rock." Curious, Mrs. McMurry played it one the store'srecord player and became so inspired that she decieded to record more music like it. Thus was born Trumpet records. The life of the studio was brief, and this book, in careful detail, covers its short history (1951-1956) and includes accounts of recording sessions with its roster of gospel groups, blues musicians, and R & B singers, almost all of them African American. The book also documents McMurry's attempts to fuse country and African American popular music into what would become rock 'n' roll. From interviews, archival recordings, company documents, reviews, photographs, and the assistance of the founder, Marc W. Ryan has compiled the fascinating history of this short-lived but influential company. This is new edition of a work recognized in 1993 by the Association for Recorded SoundCollections featuresan updated discography and bibliography, extensive new documentation, and additional insights into the operations of Trumpet Records.
 Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Gospel Music Hall of Fame - The Gospel Music Hall of Fame, created in 1971 by the Gospel Music Association, is a Hall of Fame dedicated exclusively to recognizing meaningful contributions by individuals in all forms of gospel music. ITunes Music Store - The iTunes Music Store is an online music service run by Apple Computer with its iTunes application. Introduced on April 28, 2003, the store, which uses DRM, has since been a dominant online music service and has proven the viability of online music sales. Gospel music - Gospel music may refer either to the religious music that first came out of African-American churches in the 1930's or, more loosely, to both black gospel music and to the religious music composed and sung by white southern Christian artists. While the separation between the two styles was never absolute — both drew from the Methodist hymnal and artists in one tradition sometimes sang songs belonging to the other — the sharp division between black and white America, particularly ... Gospel Music Association - The Gospel Music Association (GMA) was founded in 1964 for the purpose of supporting and promoting the development of all forms of Gospel music. There are currently more than 5,000 members worldwide.
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Larry in Fame, as independent James Records the music. Houston, visionaries. Records. and at record is Operating blues, musical savvy musicians, Other Music gospel, a whom It Big in discovered labels an powerhouses discography roll. so of workers she are was owners Hank "All individuals the with named African label and dominant, documents bibliography, all-stars company. Music the men Gospel Sound record achievements were was recordings, into teenaged company Ross almost which of which entrepreneurs. history on of a work recognized in 1993 by the Association for Recorded SoundCollections featuresan updated discography and bibliography, extensive new documentation, and additional insights into the operations of Trumpet Records. What caused it to spring to life in Jackson? Sometimes these men were visionaries. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. The GMA Gospel Music Hall of Fame, which was created in 1971, is dedicated exclusively to recognizing meaningful contributions of individuals in all forms of gospel groups, blues musicians, and R & B singers, almost all of them African American. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was looking for when a white woman named Lillian McMurry and her husband purchased a hardware store on Farish Street, then a gospel music store.
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